NEW YORK — Could there be a Taylor Swift new album rollout without a few additional surprises?
No.
On Friday, the pop star released her 11th album, “The Tortured Poets Department,” an amalgamation of her previous work and reflecting the artist who — at the peak of her powers — has spent the last few years re-recording her life’s work and touring its material, filtered through synth-pop anthems, breakup ballads, provocative and matured considerations.
But that was midnight. At 2 a.m. Eastern, she released “The Tortured Poets Department: The Anthology,” featuring 15 additional songs.
“I’d written so much tortured poetry in the past 2 years and wanted to share it all with you, so here’s the second installment,” Swift wrote in an Instagram caption. “And now the story isn’t mine anymore… it’s all yours.”
The songs are a natural continuation of the first half of the album; many return to her “evermore” and “folklore” sound, with an assist from her collaborator Aaron Dessner.
This is not Swift's first time surprising her fans, and certainly not her first time doing so with a surprise album release. A few months after “folklore” was released in 2020, she announced “evermore” would arrive at the midnight the same day. And speaking of midnight, she dropped a “3am” edition of “Midnights” featuring seven new tracks in 2022 a handful of hours after the original release.
And the album had its own surprises. The lead single and opener “Fortnight” is “1989” grown up — and features Post Malone. It might seem like a funny pairing, but it's a long time coming: Since at least 2018, Swift's fans have known of her love for Malone's “Better Now.”
“But Daddy I Love Him" is the return of country Taylor, in some ways — fairytale songwriting, a full band chorus, a plucky acoustic guitar riff, and a cheeky lyrical reversal: “But Daddy I love him / I'm having his baby / No, I'm not / But you should see your faces.” (Babies appear on “Florida!!!” and the bonus track “The Manuscript” as well.)
The fictitious “Fresh Out The Slammer” begins with a really pretty psych guitar tone that disappears beneath wind-blown production; the new wave-adjacent “My Boy Only Breaks His Favorite Toys” brings back “Barbie”: “I felt more when we played pretend than with all the Kens / 'Cause he took me out of my box.”
Even before Florence Welch kicks off her verse in “Florida!!!,” the chorus' explosive repetition of the song title hits hard with nostalgic 2010s indie rock, perhaps an alt-universe Swiftian take on Sufjan Stevens' “Illinois.”
